"Jojo Rabbit"

Before we begin, check out my post on Jojo Rabbit on my other blog, Before I Go See It.
Now, on with the show.

I was rather impressed with this movie. This is making it harder to know which to root for at the Oscars.
The film is shot through a child's perspective about how he understood being a Nazi in Germany. Many shots are at a low angle, from Jojo's eye level, to give you a better understanding of the situation. This way, you learn as Jojo does of how terrible war is and not to misjudge people based on terrible stereotypes, especially when it hits close to home.
When Jojo discovered a Jewish girl hiding in his house, not only did it place him in a dangerous predicament, but it changes everything he knows. Elsa toyed with Jojo on the stereotypes that somehow don't apply to her, like why she didn't have horns yet; she explained that they haven't grown in yet. Jojo was understandably angry by how much he's been lied to, but he learned to care for someone that's different and sees them as human. That should hit home more than we care to give it credit for. It rings in truth with the way we treat people of the LGBT community. Fortunately, many of us consider them as allies and as human beings. However, there are many more who consider them an abomination. If a young Nazi boy is willing to accept a Jewish girl, then we are capable of accepting a man wearing a skirt.
I struggle to understand the ending. My guess is that it is Jojo's last attempt to control Elsa. Though Elsa was better than Jojo in every way, he seems confident enough to still have her under his thumb with the threat of being discovered. When the war ends, and she's no longer a criminal, I believe he was trying to be a hero in her eyes, like a knight protecting her through her escape...until it backfires the second she walks out the door and sees American soldiers waving Old Glory through the streets.
Hitler being Jojo's imaginary friend is a little unsettling, but it makes a point in which children will consider political figures as their heroes and their friends, and Hitler is no exception in this case. There is a little Great Dictator humor throughout the film to show how little Hitler cares about the boy and how he is willing to go to great lengths to ensure Jojo is loyal to his country, which includes coming back from the dead after shooting himself in the head.
All in all, it was a splendid film. I hope it will be taught in history classes where children can have some fun while seeing that war is a terrible thing.

Click image to view URL.

I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released On: October 18, 2019
Rating: PG-13
Stars: Roman Griffin Davis, Thomasin McKenzie, Taika Waititi, Rebel Wilson, Alfie Allen, Stephen Merchent, Sam Rockwell, Scarlett Johansson
Director: Taika Waititi
Rotten Tomatoes Score: 80% Certified Fresh
IMDb Score: 8.0/10

Awards
Golden Globe Awards

• Best Motion Picture Musical or Comedy - Nominated
• Best Actor Motion Pitcture Musical or Comedy Roman Griffin Davis - Nominated

Academy Awards

• Best Picture - Nominated 
• Best Supporting Actress Scarlett Johansson - Nominated 
• Best Adapted Screenplay Taika Waititi - Winner 
• Best Production Design Ra Vincent & Nora Sopková - Nominated 
• Best Costume Design Mayes C. Dubeo - Nominated 
• Best Film Editing Tom Eagles - Nominated 

(Click here to view more awards for "Jojo Rabbit".)

"Ford v. Ferrari"

This movie is a lot of fun, I'll give it that. But when you compare it to the rest of the nominees, it is the Phantom Thread of this year's selection. It was interesting when you first heard about it, but you immediately forget about it, and you wonder why it was nominated at all. I actually liked this movie, which is another point towards it.
The trailer may be to blame in my opinion. Like, the Solo trailer, this movie's trailer told a different and more fun story. According to the trailer, the movie is about two frenemies who must band together beat Ferrari at the Le Mans race in France. That is the plot of the movie, but the trailer made it seem like they had 3 months to build the better car, and in the movie, it was several years of failed attempts before finally unveiling the GT40.
The only reason I went to see it was I wanted to watch Matt Damon and Christian Bale duke it out on the sidewalk with a loaf of Wonder bread. I wanted to watch Henry Ford II sob like a little baby when Damon takes him for a spin in the car. Neither of those events happened in real life, which sucks because that is the only reason any of us went to go see it. Be honest, it's true.
I could see Bale getting an award because his charcter was relatable to the blue collar workers. He's a hothead when nothing works the way he wants it to, and he doesn't take it real well when he gets stiffed. Like in the beginning of the movie when we are introduced to him, he gets disqualified from the race because his trunk didn't close. So he dents the hell out of the lid and gets it shut. But it turns out it's Matt Damon who's telling the story. Bale's just a pawn in the story. We got a cool car out of it though.
It could have been a cool underdog story about beating Ferrari at Le Mans, but Bale's character gets cheated out for reasons I don't remember because I'm still thinking about the fight on the sidewalk. This is just a fluke that you wouldn't turn away if it comes on TNT.

Click image to view URL.

I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released On: November 15, 2019
Rating: PG-13
Stars: Matt Damon, Christian Bale
Director: James Mangold
Rotten Tomatoes Score: 92% Certified Fresh
IMDb Score: 8.2/10

Awards

Academy Awards

• Best Picture - Nominated 
• Best Film Editing Michael McCusker & Andrew Buckland - Winner 
• Best Sound Editing Donald Sylvester - Winner 
• Best Sound Mixing Paul Massey, David Giammarco & Steven A. Morrow - Nominated 

Golden Globe Awards

• Best Supporting Actor Christian Bale - Nominated

(Click here to view more awards for "Ford v. Ferrari".)

"Spider-Man: Far From Home"

I honestly don't know what to make of this movie. Don't get me wrong, it was a lot of fun, but it was kind of sloppy. I think part of it is because it is trying to recapture the attention from the success of Endgame.
A straight up remake of Iron Man 3, Peter struggles to break from the shadow left behind by Tony Stark's legacy. All he really wants is to get away from the big time superhero stuff and just be a friendly neighborhood Spider-Man. He wants to have a good time on his trip to Europe and confess his feelings to the girl he likes.
I thought there was going to be conflict between Ned and Peter this time around because Ned wants to be a bachelor in Europe with Peter, but then he meets a girl on the plane ride over and Peter strikes out making it with MJ. But Ned pretty much gets pushed into the background and is almost forgotten. Maybe that's to help build tension between them in the threequel. Ned didn't really contribute in the Battle of London, and that might get on Peter's nerves when Ned still wants to be the guy in the chair.
Now, where in the first film did it indicate that Peter liked MJ. All we really see is MJ looking at Peter longingly in the end of the film as Peter runs off to save someone. And isn't her name Michelle, not Mary Jane? I think this was constructed for the sake of the comics because Spidey is contractually obligated to save his love interest. And why did he lie to her when she figured it out that he was Spider-Man? If there was one person he can trust to keep his secret, it's the girl he likes. And she never let on that she knew. If I were MJ, I would have trust issues after that little stunt. But I guess seeing a 16-year-old's ripped abs erases all that.
The Mysterio character was really confusing to me, probably because I never read the comics. When it was announced that Jake Gyllenhall would play the villain,
I thought it was confusing that he was all friendly to Fury and Peter. Then I thought that he may be the culprit for the destruction of his own Earth, and that he's after this one. But then it was revealed that he and many members of Stark Industries had a personal vendetta with their former boss and they decide to mess with a teenager to get the glasses Tony left behind for him. I thought it was another Mandarin debacle, but it's rather legit despite Quentin Blake being visual effects artist and failed actor instead of working for Stark.
It's hilarious that Aunt May calls the Spidey Sense "Peter-Tingle", but I think the reason it didn't work when she threw the banana at him is because it doesn't exist. The most disappointing about this franchise is the set of powers he possesses. He can't shoot webbing out of his wrists, he has no Spidey Sense, all he can do is climb walls and lift really heavy things. Actually, I don't think he can really climb on walls, not without his suit. And that thing at the end when he defeats the drones? I think he watches Marvel's Daredevil in his spare time.
The sudden twist in the end credits scene is a game changer. In Blake's dying breath, he reveals Peter's identity and frames him for the attack on London and himself. For the sake of the story, it will be frustrating to not know what's next for Peter. One theory I have is that he will be convicted and sentenced to prison where he will clash with Adrian Toomes once again. Another theory, definitely not based on the comics, is where Peter runs away to Hell's Kitchen where he meets a kind blind attorney named Matt. They discover that they're both vigilante superheroes. Matt takes on Peter's case to clear his name while he teaches Peter to not run away from his past, a continuation from this film where he tries to run away from Tony Stark. Just a thought.
Honest Trailers brought this up, and while it was funny, it may fuel something. Flash Thompson, who constantly bullies Peter, has a rather tragic backstory where he struggles to communicate with his parents. I wonder if his parents were part of Blake's party, and they disappeared when the illusion failed. That may be trying to shoehorn the Green Goblin into the next film because he needs to blame someone, and Spider-Man could be an easy target. That's another thing. With his secret identity out in the open, will his defend Peter? Ned and MJ will without a doubt, but will Betty? His teachers? Flash? This entire time he's been abusing Spider-Man and not knowing it. Will he step up and protect him?
It's probably a good thing it will be a while before a third film can be made. This can give Marvel time to actually make an excellent third installment that will blow everything out of the water. The last franchise failed so hard that the third film was canceled.
Oh, one more thing. The fact that Fury and Hill were Skrulls the whole time is a big middle finger to the audience and a weak attempt to try and reincorporate the plotline in which everyone's a Skrull. in retrospective, however, it should have been obvious that they were Skrulls because there were several hints throughout the film where they weren't themselves. For one, Fury criticized the fact that Tony recruited a teenager to lead the Avengers. This is coming from the guy who recruited Tony to head the Avengers Initiative. Hill and Fury's casual talk of Kree having sleeper agents is another factor. And when Hill had Fury's back in taking out the drone...unless they're dating. There was a joke in Agents of S.H.I.E.L.D. that Fury only made her second in command because she was eye candy. And let's not forget that Happy's cryptic "looks can be deceiving" actually has a double standard.

Click image to view URL.

I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.


Released On: July 2, 2019
Rating: PG-13
Stars: Tom Holland, Samuel L. Jackson, Zendaya, Cobie Smulders, Jon Favreau, Marisa Tomei, Jake Gyllenhaal, Jacob Batalon, Martin Starr, J.B. Smoove
Director: John Watts
Rotten Tomatoes Score: 91% Certified Fresh
IMDb Score: 7.6/10

Videos
Screen Junkies - Honest Trailers | Spider-Man: Far From Home
CinemaSins - Everything Wrong With Spider-Man: Far From Home in Tingle Minutes
How It Should Have Ended - How Spider-Man Should Have Ended Far From Home Should Have Ended
How It Should Have Ended - Bonus Features | Spider-Man: Far From Home HISHE

"The Irishman"

Before we begin, check out my post on The Irishman on my othe blog, Before I Go See It.
Now, on with the show.

I'm a little embarrassed to say that this is my first Martin Scorsese film, but I'm very glad I saw it. Whether it wins or loses, it will forever be a piece of cinematic history.
The running joke for this film is its massive runtime, but there wasn't a moment of boredom in this modern epic. Long movies get criticized for being an overindulgence of information we didn't really need, and that is true for some. This film, however, is a film that needs to be told this way. You can't rush a story like this. Do you know what happens when you rush a story like this? Live By Night? Ever seen it? No? Well, neither have I because it was pulled from theaters because of its rushed plot and blandness. The long runtime allows you to comprehend every player in the story and why he or she matters. It is a film that you have to dedicate yourself to watching, but it is worth the watch whether you enjoyed it or not.
But it's hard to not enjoy it. It has the humor of The Big Short, the suspense, of Once Upon a Time in the West, the coolness of Ocean's Eleven, and the drama of The Godfather. The characters act so cool, you realize that they are modern cowboys with the hint of a con artist. And the way they lose is so poetic. It's like a game to them. A game of poker. They play life by slowly winning with a couple of pairs, then they get a good hand, win big and take the house. But when they slip up, someone calls their bluff, and they go to jail. Most of them take it in stride because they know they'll be back.
The film sheds a light onto an ugly part of our history where the mafia had a hand in shaping our country from electing Kennedy president to supplying weapons for the infamous Bay of Pigs invasion. You watch their reactions when their decisions don't go their way, like when Kennedy was elected, Kennedy appointed his brother, Bobby, attorney general, and Bobby went after the people who put his brother in the White House. It almost made me wonder if the mafia was responsible for Bobby's death when he ran for president. But it didn't matter because he disappeared from the scene when John died. Another rather ugly moment is when they funded Nixon's campaign to finally elect him president only to have Nixon resign after six years because of the Watergate Scandal. It's like watching
and its sequel that we never got to see. They touch every moment in American history, and it backfires on them.
The film is eerily relatable with the rise, fall, and disappearance of Jimmy Hoffa. Hoffa had the mentality and attitude of a certain major figure we interact with today. And with the way Hoffa went, it almost makes you wonder about the figure I'm referring to. All Hoffa cared about after getting out of prison was winning back his union. Like many mobsters, he fought to give his workers better pay and better benefits. He was very likable, almost like someone we know. until this movie, like Frank suggests, I only knew he disappeared mysteriously. I knew he was a mobster, and I thought he was a member of Congress at one point. I guess that part is wrong.
With all that aside, I did have some thoughts. Regarding the title of the movie, it was advertised for a year, there was a teaser at last year's Oscar ceremony, that the film was called The Irishman. But throughout the movie, the title of the book it's based on, I Heard You Paint Houses, kept popping up. Like, what's the name of your movie? Can you pick a title and stick with it? If you re-brand it with the book's title, that's fine. Call it On Being Frank for all I care, just pick something.
I don't like bringing the trailer into this. I know I've been doing that lately, but the trailer advertised the film like Frank Sheeran was a legend. He was, but the scene used in the trailer was the scene where Joe Pesci's character presents Frank the ring. I understand you want to keep the plot under wraps, and that's good. We need people like to cloud the mystery of their film. It sounds like I'm complaining when I shouldn't. I saw what the trailer had promised, so I should shut up.
I don;t quite understand the ending. I get that Frank has regret for being able to communicate with his daughter, Peggy, and how she distanced herself from him. But the pastor just leaves him in his room at the home, and that's it. I guess there was nothing more to tell, but that's the Lady Bird ending: the main character in its defeated state from the broken relationship they have with a direct relative.
The film recaptured the magic left behind The Godfather by making a gritty crime drama that appeals to modern audiences. I once thought The Godfather was just a cute little film, but I now understand how much of a game changer that film was because of this film. I don't think there could be anymore to tell in this story. Frank is old and in a home. He's likely dead now. But I wonder if there will be others in the future like this. Say what you will about long movies, but when you watch movies like Titanic, The Godfather Trilogy, Avengers: Endgame, Ben-Hur, Out of Africa, Lonesome Dove, and The Lord of the Rings Trilogy, you get why some of the best movies in history are also the longest.

Click image to view URL.

I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released on Netflix: November 27, 2019
Rating: R
Stars: Robert De Niro, Joe Pesci, Al Pacino, Anna Paquin, Harvey Keitel, Ray Romano, Bobby Cannavale
Director: Martin Scorsese
Rotten Tomatoes Score: 96% Certified Fresh
IMDb Score: 8.0/10

Awards

Academy Awards

• Best Picture - Nominated 
• Best Director Martin Scorsese - Nominated 
• Best Supporting Actor Joe Pesci - Nominated
• Best Supporting Actor Al Pacino - Nominated
• Best Adapted Screenplay Steven Zaillian - Nominated 

• Best Production Design Bob Shaw & Regina Graves - Nominated 
• Best Cinematography Rodrigo Prieto - Nominated 
• Best Costume Design Sandy Powell & Christopher Peterson - Nominated 
• Best Film Editing Thelma Schoonmaker - Nominated 
• Best Visual Effects Pablo Helman, Leandro Estebecorena, Nelson Sepulveda-Fauser, & Stephane Grabli - Nominated 

Golden Globe Awards

• Best Motion Picture Drama - Nominated
• Best Director Martin Scorsese - Nominated
• Best Supporting Actor Joe Pesci - Nominated
• Best Supporting Actor Al Pacino - Nominated
• Best Screenplay Steven Zaillian - Nominated

(Click here to view more awards for "The Irishman".)

"Little Women" (2019)

It's a damn shame that Greta Gerwig was snubbed for Best Director at the Oscars. This was a beautiful film by everyone involved. It will be a tough competition with people like Alexandre Desplat* for Score, Jacqueline Durran** for Costumes, Greta for Screenplay.
The one part I found weird about the film was in the beginning while Jo was running through the streets, and all of the sudden it cuts to a title card of a book cover displaying the movie's title. It was a weird transition, I'm thinking it was a error made by the theater I watched it in. Also, the book was so off center that it might give Wes Anderson a brain tumor.
I never read the book, so I was confused at first by how much it transitions from memories to the present day. The filters helped with that, but I can't tell if Jo already wrote the story, or we are watching it being written in real time. It was obvious that the filmmakers played the "character writes the story they are currently in" card as it was played in which Jo wrote the story. I will have to read the book to see if it was written the same way or if it's a choice Greta made in writing the screenplay.
Laurie was so whiny that he reminds me of Mr. Darcy in Pride & Prejudice. And the fact that all the girls were in love with him was rather frightening. I knew he was going to break some hearts by the end. Well, just one: Beth died, Megan married someone else, and Amy's the one that won his heart. Jo waited too long.
Seeing the girls having such a tight bond reminds me of Steel Magnolias. I know that story is a memoir, but I wonder if the author channeled this story in his own.
I didn't like how Meryl Streep's name was on the poster despite being in the film for perhaps only 30 minutes of run time. At least it was more screen time than in Mamma Mia! 2.
All the best goes to this film and its six nominations. I can't wait to see what happens.

Click image to view URL.

I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

*Academy Award Best Original Score - 2 Wins (The Grand Budapest Hotel, The Shape of Water), 8 Nominations (The Queen, The Curious Case of Benjamin Button, Fantastic Mr. Fox, The King's Speech, Argo, Philomena, The Imitation Game, Isle of Dogs)
**Academy Award Best Costume Design 1 Win (Anna Karenina), 4 Nominations (Pride & Prejudice, Atonement, Mr. Turner, Beauty and the Beast, Darkest Hour)

Released On: December 25, 2019
Rating: PG
Stars: Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlan, Laura Dern, Timothee Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris Cooper
Director: Greta Gerwig
Rotten Tomatoes Score: 95% Certified Fresh
IMDb Score: 8.3/10

Awards
Golden Globe Awards

• Best Actress in a Motion Picture Drama Saoirse Ronan - Nominated
• Best Original Score Alexandre Desplat - Nominated

Academy Awards

• Best Picture - Nominated 
• Best Actress Saoirse Ronan - Nominated 
• Best Supporting Actress Florence Pugh - Nominated 
• Best Costume Design Jacqueline Durran - Winner 
• Best Original Score Alexandre Desplat - Nominated 
• Best Adapted Screenplay Greta Gerwig - Nominated 

"The Marvelous Mrs. Maisel" Season 3

Before we begin, check out my post on The Marvelous Mrs. Maisel Season 3 on my other blog, Before I Go See It.
Now, on with the show.

I knew Midge and Shy Baldwin would have an argument and break up, but I was surprised that they lasted to the end of the season. The sudden breakup is an interesting change. We see Midge and Shy become tight friends as she was the one who took his antics seriously and saw him at his most vulnerable. Just one slip-up is all it takes. That's showbiz.
Season 3 brought change to everyone. Susie learns the ups and downs of being a manager to multiple clients as she takes on Sophie Lennon. Abe and Rose are in transitional periods as Abe struggles to feel useful, and Rose wants a hobby. Joel opens a club in Chinatown and meets a pretty woman with possible connections to the Chinese mob.
Sophie shows Susie how incredibly spoiled she is through the challenge of putting on a passion project with Sophie in the starring role. Sophie had learned to rely on the people around her to move her career forward, but when the play opened up and she crashes it towards the end, she expected Susie to fix it, but Susie was probably the first to call her bullsh*t. I wondered if she was going to come forward with Susie and own up to her behavior, but we'll never know if she changed.
Having lost their home, Abe and Rose are forced to live with Joel's parents in Queens. They are thrust into the bizarre lifestyle they live in. Shirley burns the food while she bets on game shows, and Moishe sports no pants around the house.  Abe tries to get involved with some young activists who weren't interested in his wisdom and guidance. Rose discovers a hidden talent in matchmaking as she successfully pairs her friends' children with eligible suitors. Meanwhile, she hopes that Midge and Benjamin, who broke up prior to the season premiere, would get back together, and she attempts to reconcile their relationship. It backfires when Midge tells her to butt out.
There is a lot to process and, hopefully, so much more to come. I really want to know what Midge is going to do now that Shy kicked her off the tour.

Click image to view URL.

I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released on Prime Video: December 6, 2019
Rating: TV-MA 
Stars: Rachel Brosnahan, Alex Borstein, Michael Zegan, Marin Hinkle,  Tony Shaloub, Kevin Pollack, Caroline Anne, Jane Lynch
Directors: Amy Sherman-Palladino, Dan Attias, Daniel Palladino 
Rotten Tomatoes Score: 83% Certified Fresh
IMDb Score: 8.7/10 (Average)

Awards

Golden Globes

• Best Television Series Musical or Comedy - Nominated
• Best Actress Television Series Musical or Comedy Rachel Brosnahan - Nominated

Primetime Emmy Awards

• Outstanding Comedy Series - Nominated
• Outstanding Lead Actress in a Comedy Series (Rachel Brosnahan) - Nominated
• Outstanding Supporting Actor in a Comedy Series (Sterling K. Brown) - Nominated
• Outstanding Supporting Actor in a Comedy Series (Tony Shaloub) - Nominated
• Outstanding Supporting Actress in a Comedy Series (Alex Borstein) - Nominated
• Outstanding Supporting Actress in a Comedy Series (Marin Hinkle) - Nominated
• Outstanding Directing for a Comedy Series (Amy Sherman-Palladino) - Nominated
• Outstanding Directing for a Comedy Series (Dan Palladino) - Nominated

Creative Primetime Emmy Awards

• Outstanding Guest Actor in a Comedy Series (Luke Kirby) - Nominated
• Outstanding Guest Actress in a Comedy Series (Wanda Sykes) - Nominated
• Outstanding Casting for a Comedy Series (Cindy Tolan) - Nominated
• Outstanding Cinematography for a Single-Camera Series (One Hour) (M. David Mullen) - Winner
• Outstanding Music Supervision (Robin Urdang, Amy Sherman-Palladino & Daniel Palladino) - Winner
• Outstanding Original Music and Lyrics (Thomas Mizer & Curtis Moore) - Nominated
• Outstanding Period and/or Character Hairstyling (Kimberley Spiteri, Michael S. Ward & Tijen Osman) - Nominated
• Outstanding Period and/or Character Make-up (Non-Prosthetic) (Patricia Regan, Claus Lulla, Joseph Campayno, Margot Boccia, Michael Laudati, Tomasina Smith, Roberto Baez & Alberto Machuca) - Winner
• Outstanding Period Costumes (Donna Zakowska, Marina Reti, Sheila Grover & Ginnie Patton) - Nominated
• Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) (Bill Groom, Neil Prince & Ellen Christiansen) - Nominated
• Outstanding Single-Camera Picture Editing for a Comedy Series (Kate Sanford & Tim Streeto) - Nominated
• Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) (Mathew Price, Ron Bochar, George A. Lara & David Bolton) - Winner

(Click here to view more awards for "The Marvelous Mrs. Maisel" Season 3.)

"Dr. Seuss' The Grinch"

I grew up watching the cartoon, featuring one of the best Christmas songs ever, and I skipped the Jim Carrey live action version. Okay, I watched it once; never again. But this glorified rehash is just insulting and it makes me angry.
The movie spent way too much time on how annoying Pentatonix really is, and how weird it is to see Kenan Thompson voice a white guy, and way, way, WAY too much time planning the heist that the actual heist was a f*cking montage. The thirty-minute cartoon showed more of the heist than this 85-minute Freeform trash did.
I didn't notice this until recently that over the last ten years all the Dr. Seuss movies have been trying to relate the Whovians to children of today. Horton Hears a Who! features the mayor with a thousand children and one son; I was the only boy in my family for a long time. The Lorax shows a young boy living with a single parent and grandmother; not all families are the same. And The Grinch features Cindy Lou's mother single-parenting it with twin sons. I honestly don't think I've seen single-parenting in children's animated movies. No, Despicable Me does not count.
Let's talk about Cindy Lou for a minute, who's way more than two. She's got to be at least seven, right? No two-year-old can rig up a Rube Goldberg contraption to capture Santa Claus. Also, the whole "wishing for help for her single mother on Christmas" thing is super played out, and she goes to the village outcast to place her request.
That actually made me think of something. Except for this film and the Jim Carrey one, the Grinch never really interacts with the Whos until he returns their gifts in the end. So everyone has got to be really confused when this green bozo, dressed up like Santa, comes in and be like "I stole your Christmas." They should be like "Who are you, and what have you done to Santa?" Thinking about this film. I doubt anyone knew he existed until Pentatonix started following him. They may say hi to him, but do they really know who he is? He spends all his free time outside of Whoville voluntarily. I wouldn't be surprised if the Grinch is on Twitter ranting about nobody loving him and caring about him #incel #nosocialcontract.
The only thing this film got right was an honest reaction to things being missing on Christmas morning. It didn't make sense that the Whos would just come out and sing. There had to be some people who would be upset and/or angry that they had been robbed on Christmas. But, of course, it's a reminder that Christmas doesn't come a store, but it means something a little bit more. But when another reboot based on a classic children's book comes out, Christmas definitely comes from a store.

Click image to view URL.

I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released on: November 9, 2018
Rating: PG
Stars: Benedict Cumberbatch, Pharrell Williams, Rashida Jones, Cameron Seely, Kenan Thompson, Angela Lansbury
Directors: Scott Mosier, Yarrow Cheney
Rotten Tomatoes Score: 59%
IMDb Score: 6.3/10