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Friday, December 20, 2019

"Klaus"

Before we begin, check out my post on Klaus on my other blog, Before I Go See It.
Now, on with the show.
If you haven't checked out this brand new Christmas gem on Netflix, check it out now.
I said it before, and I'll say it again. This is the remake to the Ranken & Bass story we deserve. It is filled with outstanding humor, gut-punching moments, and heart-warming moments that will make you tear up inside.
The animation is absolutely beautiful. It almost had a magical feel it despite being almost devoid of magic.
It is really nice that it didn't rely on much narration and exposition dumps. There was enough narration to set up the story and rest unfolded on its own. The little tidbits that Santa Claus is known for were placed where they weren't forced. They just happened on accident, and it stuck. That was a nice touch not really seen in other films.
It was a touching story that kept the spirit of Christmas high while delivering what I hope to become a new Christmas classic. Plus it teaches young children how one selfless act of kindness can always spark another.

Released on Netflix: November 15, 2019
Rating: PG
Stars: Jason Schwatzman, J. K. Simmons, Norm Macdonald, Rashida Jones
Directors: Sergio Pablos, Carlos Martínez López
Rotten Tomatoes Score: 92%
IMDb Score: 8.2/10

Awards
Academy Awards
  • Best Animated Film - Nominated


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Friday, December 13, 2019

"The Fugitive" (1993)

To quote SNL's New York City Correspondent, Stefon, this movie has everything. Harrison Ford, Tommy Lee Jones, suspence, a legal drama but without the legal drama, and the question that's on every young person's mind: Holy sh*t, is that Jane Lynch? Yes, it is.
The movie wastes absolutely no time in getting to the action. It spent twenty minutes setting up the story, and off we go because that's what we came to see. Not the blah-blah-blahs that The Constant Gardner put in to hide the fact that it's the same story. And then it's over. Once the bad guy was caught, it was over. There was no blah-blah-blah afterwards about what happened to Dr. Kimble next because you don't care about that. He won, we're satisfied.
But in all honesty, the film never really focused on Kimble; it was U. S. Marshall Sam Gerard. It was really about him tracking down the titular fugitive. Sure it looks focused on Kimble, but Kimble hardly says anything. Any words out of his mouth was only said because he needed to say them. Gerard, on the other hand, just loves to talk. He had a snide comment about everything from moving the investigation forward to staring down Kimble on the dam. Whatever he says, it's so cool. So cool that he garnered his own movie before that was cool.
Though I have not seen the TV show this movie is based on, I could tell the elements that made up the show. The Fugitive would hide somewhere inconspicuous and gather information to bring him closer to his wife's killer. But when the U.S. Marshall gets close, the fugitive has to move on by doing the hide in plain sight gimmick.
The one problem I had with the film is the timeline of the events. First off, the film can't decide whether or not to snow. But then the St. Patrick's Day parade happened, so I figure that it's springtime. I get it. I've been to Chicago in the spring; the snow gets wonky in March. But when Kimble found out that the killer was meant for him and he found who it was, the guy who ordered the hit died in a car accident the previous year. Either Kimble was on the run for a year or someone doesn't have their facts straight.

I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released On: August 6, 1993
Rating: PG-13
Stars: Harrison Ford, Tommy Lee Jones
Director: Andrew Davis
Rotten Tomatoes Score: 96% Certified Fresh
IMDb Score: 7.8/10

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Awards
Academy Awards

  • Best Picture - Nominated
  • Best Supporting Actor Tommy Lee Jones - Winner
  • Best Cinematography Michael Chapman - Nominated
  • Best Film Editing Dennis Virkler, David Finfer, Dean Goodhill, Don Brochu, Richard Nord & Dov Hoenig - Nominated
  • Best Original Score James Newton Howard - Nominated
  • Best Sound Donald O. Mitchell, Michael Herbick, Frank A. Montaño & Scott D. Smith - Nominated
  • Best Sound Editing John Leveque & Bruce Stambler - Nominated

(Click here to view more awards for "The Fugitive")

Friday, December 6, 2019

"Frozen II"

Before we begin, check out my post on Frozen II on my other blog, Before I Go See It.
Now, on with the show.

While this film answered some questions, it raised some more. Where did Elsa really get her powers? What did she really conquer? How do Arendelle's coronation rules work? And who does Elsa's eye makeup? They deserve a raise.
So the queen was apparently a resident of the Enchanted Forest, and when the relationship of the forest and Arendelle went south, she saved the prince. Then they got married and had two daughters, one of which have powers. The queen doesn't have powers, does she? Was she supposed to be the bridge, but, because she left, the balance of nature shifted and trapped those in the forest? The prince was enchanted by the young queen. Did she like him back? Is that why she saved him? Or did she just thought he was okay, and then grew to love him? I just want to know her motive in saving him besides restoring the relationship between the two nations. Also, the prince never figured that his wife was the one who saved him, and she was a member of the Enchanted Forest. Well, at least we know where they were going when their ship went down; they weren't going to attend Rapunzel's wedding.
When Elsa woke up the spirits of the Enchanted Forest, what did she do exactly? All she did, that I understand, was answer the Baby Shark call. I call it that because I can't get it out of my head, and it's worst with the Panic! at the Disco version. Then she mastered the elements with absolute ease. She pulled a Jean Grey in exploding the twister, broke the water horse, and sprinkled snow on the fire salamander. Anna really mastered the earth giants, proving the theory that she also part of this, as Elsa suggested. The film played with a theme of growing up and apart. Anna didn't want Elsa to leave. Elsa didn't either, but she really wanted to discover her powers on her own. Maybe what helped strengthened theoretically understanding of each was that Elsa called for Anna's help when she needed it. Without hesitation, Anna swooped in and helped restore the balance.
When the king and queen died at sea, they waited three years before Elsa was eligible to be crowned Queen of Arendelle. But when the king, as a young prince, returned from the Enchanted Forest, he was immediately crowned King of Arendelle. He had to be the same age Elsa was when Daddy Backstabber went over the cliff. Was it some sexist thing? Should the next heir to the throne be a woman, make her wait three years while the kingdom falls into turmoil. However, should the heir be a man, crown him immediately so the kingdom shall not fall. Yeah, that makes sense.
I was just being funny about Elsa's eye makeup, but seriously, who does it? She slept and was submerged in the deep sea three times, and her eyes shadow remained smudge free. That's some tough ass makeup.
A third film is inevitable, so I'm already speculating what it could entail. There was a rumor, back when a sequel was first announced, that Elsa would get a girlfriend. Is that still on the table? Is something going to happen between her and Honeymaren? I'm feeling Die Hard 3 vibes in which Hans could return to challenge Anna and Elsa with a set of powers he mustered. Would Anna have powers of her own or is she already powerful with her undying love for her mutant sister? The way they placed Anna behind Elsa, could she be the next main villain? Anna is doing the villain pose. Would Elsa lose her powers? Of course Kristoff and Anna are now getting married, so we now have to see their wedding.
It was a decent follow up. This franchise begrudgingly became special to my family because it was my little brother's first film in the theater, so it was great to take him to see the sequel.

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I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released On: November 22, 2019
Rating: PG
Stars: Idina Menzel, Kristen Bell, Jonathan Groff, Josh Gad
Directors: Chris Buck, Jennifer Lee
Rotten Tomatoes Score: 76% Certified Fresh 
IMDb score: 7.3/10

Awards

Golden Globe Awards

  • Best Animated Feature Film - Nominated
  • Best Original Song "Into the Unknown" - Nominated
Academy Awards
  • Best Original Song "Into the Unknown" - Nominated 

Friday, November 22, 2019

"Dark Phoenix"

Before we get started, check out my post on Dark Phoenix at my other blog, Before I Go See It.
Now, on with the show.

While it could have been better, this film is better than you think. The Last Stand was so busy with the X Gene cure plotline that the Phoenix Saga was crammed into the second half of the film.
This film, however, shows more a little more of the birth of the Phoenix...ish. We see how Jean Grey struggles with her telepathic powers to the point that she is responsible for her mother's death. More on that later. Then she absorbs the killer cosmic rays that botched a space mission, and it unravels all of Charles' hard work of being the worst grief counselor ever. Rather than working through her troubled past and her powers, he built mental walls to shut out part of it. She is a little representation of someone who shoved their grief and sorrow way down, and then it all exploded on her friends and family.
Even though it was the central plot of the whole movie, it felt kind of rushed. She gets the phoenix powers, she rebels, she saves the X-Men, that's it. I think they should make a film series, a trilogy, on the Phoenix Saga.
How awful of a dad must you be when you consider it hopeless to raise a gifted daughter? And he had the balls to hurt her with the fact that she killed Mom. I hope Jessica Chastain killed him when she interrogated him.
A lot of fans keeps complaining about the time jumps despite the actors not aging. And they complain about how Magneto would turn from Michael Fassbender to Ian McKellen in ten years. Well, I have a theory. Remember, the first X-Men Trilogy all start with the lower third text crawl, saying "Set in the Near Future." I always assumed that, since the first X-Men came out in 2000, it was set in 2010. As of November 18, 2019, Michael Fassbender is 42. Ian McKellen was 61 when X-Men was released. With that in mind, Fassbender and McKellen had an 19 year difference, and 1992 and 2010 are 18 years apart. Let's do another one. Patrick Stewart was 60 at the time of X-Men's release. James McAvoy is currently 40. Hmm? Mystique may have the same healing powers as Wolverine. Rebecca Romijn was 28, and Jennifer Lawrence is 29. Okay, 2 out of 3 ain't bad.
I have grown tired of the X-Men. I am excited that they are joining the MCU in the near future, which means they are already here, but I want them to stay away for a long time. Let's wait twenty years before we see the Mutants again.

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I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released On: June 7, 2019
Rating: PG-13
Stars: James McAvoy, Michael Fassbender, Jennifer Lawrence, Sophie Turner, Nicholas Hoult, Tye Sheridan, Jessica Chastain, Not Hugh Jackman...weird
Director: Simon Kinberg
Rotten Tomatoes Score: 23%
IMDb Score: 5.8/10

Awards

Golden Raspberry Awards
Worst Supporting Actress Jessica Chastain - Nominated
Worst Remake, Ripoff, or Sequel - Nominated


Videos
CinemaSins - Everything Wrong with Dark Phoenix in Plenty of Minutes
Screen Junkies - Honest Trailers | Dark Phoenix

Saturday, November 9, 2019

"Ad Astra"

I felt a lot of vibes from sci-fi movies of the past. In this film I saw Avatar, Blade Runner, and 2001: A Space Odyssey. I also saw a bit of Apocalypse Now.
Brad Pitt was the only one doing all the heavy work in the film. Everyone else just existed to move the plot along. Liv Tyler was the worst cast advertising since Meryl Streep was starring in the Mamma Mia! sequel.
Aside from that, I see it as an Oscar contender. The cinematography is fantastic. The sound design wasn't like anything I heard in space films. It may be the first space film I've seen that implements the lack of sound in space. I can't imagine another movie where pirates can sabotage an escort in complete silence except for the musical score playing underneath, which I can get behind in winning an Oscar.
I wish they didn't have the space pirates in the trailer because it made it sound like the pirates were part of the plot. Also despite being so believable in the science of space exploration, the movie completely rides on the myth that you explode in space.
If you really want to see this movie, I'd wait until it comes on TNT or something. It is just not worth it to rent or buy. And if How It Should Have Ended is listening,  I want you to redo the ending in which the explosion, that blows up the ship, be the global killing surge that causes Brad to go into space in the first place. I was hoping for that in the last ten minutes of the movie.

Released On: September 20, 2019
Rating: PG-13
Stars: Brad Pitt, Tommy Lee Jones, Liv Tyler, Ruth Negga, Donald Sutherland
Director: James Gray
Rotten Tomatoes Score: 83% Certified Fresh
IMDb Score: 7/10

Awards
Academy Awards

  • Best Sound Mixing Gary Rydstrom, Tom Johnson & Mark Ulano - Nominated 


Videos
Saturday Night Live - Space Mistakes

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Friday, November 1, 2019

"Spider-Man: Into the Spider-Verse"

I was glad this beat out Incredibles 2 at both the Golden Globes and the Oscars, but then I watched the movie and I'm like HOLY SH*T! This film was mind-blowing and a lot of fun. To the dozen or so people who dragged this film's score down on Rotten Tomatoes, shame on you!
You can go ahead and watch the other movies. I know I have six to knock off my bucket list, but this should be the first on your list if you're a newcomer to the spectacular hero. Or last maybe, if you don't want to be bored watching a Spider-Man movie.
I have only heard of Miles Morales, so this was a helpful tool to learn who he really is. Then it kicks it up a notch to introduce other versions of Spider-Man that I never heard of. I knew there was a Spider-Woman out there; there's always a female version of a beloved superhero: Supergirl, Batgirl, Lady Thor. I'm not hating, but it feels less exciting when there are multiple versions of the same hero. I realized that contradicts this movie. Moving on.
I think it was weird that Gwen Stacy is the only Spider-person whose name isn't a variation of Peter. I mean we got Penni Parker, the anime child, Peter Parker, that goes to Noir and the Peter we're accustomed to, and Peter Porker, the Looney Toons one. Though I haven't seen it yet, I know Gwen was Peter's girlfriend in the Amazing Spider-Man films. but knowing that, what she supposed to possess spider skills and fight crime with Peter? We'll never know since she died in the second one. Hey, it's on the Internet and I read it.
I got to know a little bit about Kingpin/Wilson Fisk through the Netflix series, Daredevil. To this day, I still don't understand why Vanessa ended up with him in either universe and have a child with him. She had a nice life in the art gallery. She knew he was a criminal, so what the F? I'm getting off track. Kingpin's quest to bring back his family was a little heartbreaking because he fails to see the monster he's become when he fights Spider-Man. When the Spider-Man in Miles' dimension tried to reason with Kingpin, he refuses to listen and kills the web-slinger. And he still hasn't learned his lesson when he tried to kill Miles too, which becomes his major flaw in his plan. His tunnel vision clouds his judgment and hides who he truly is.
All this talk and no Mile-age. Miles is a quirky young kid from Brooklyn who struggles with his demanding father and caring mother. When he becomes bitten by a radioactive spider and Peter dies, he is thrust into the responsibility he spent years trying to hide from. His new skills help him man up and take the lead position, much like his dimensional counterparts. I think it's adorable that he and Gwen have something going on, but if you think about it, are they the same person since they live in alternate dimensions where something is different? Miles is a boy, and Gwen is a girl. Would they even able to be together or will they be forever apart? I'm all for them so I want to know before I get my hopes up.
The other Spiders were fun to see on screen, but now they need their own films, particularly Noir and Penni Parker. I especially want to see Peter Parker fight crime in a noir style film. The film did a fantastic job introducing them all, all you don't really feel lost in the commotion. I really want a movie on the Noir character, and I'm down on the Spider-Woman movie. I hope this film really sets the stage for future comic book movies to bring some lesser-known characters onto the big screen.

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I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.

Released On: December 14, 2018
Rating: PG
Stars: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Liev Schreiber, Lily Tomlin, Nicolas Cage, John Mulaney, Kimiko Glen, Chris Pine
Directors: Bob Persichetti, Peter Ramsey, Rodney Rothman
Rotten Tomatoes Score: 97% Certified Fresh
IMDb Score: 8.5/10

Awards
Academy Awards
  • Best Animated Film - Winner
Golden Globes


Videos
CinemaSins - Everything Wrong with Spider-Man: Into the Spider-Verse
Screen Junkies - Honest Trailers - Spider-Man: Into the Spider-Verse
How It Should Have Ended - How Spider-Man: Into the Spider-Verse Should Have Ended

Friday, October 25, 2019

"Heathers"

This movie is f*cked up. Let me just say that right now. And I thought The Breakfast Club was edgy. 
Winona Ryder stars as a little mule for three of the evilest girls on the silver screen until Mean Girls, Heather, Heather, and Heather. I'm sure the writer had a little fun writing them to mess with people. But he must have been a magician because you were never confused with which Heather is being referred. Back to this, Winona forges notes to ruin people's lives for the Heathers' amusement. She hates her life. That is until she meets Christian Slater, a rebellious teen moving from place to place. Together they start causing mayhem by murdering people and posing them as suicides. First, it was the blond Heather who was hungover from a party. Slater gives her a cocktail of drain cleaner and orange juice, claiming that it's some get well juice. Heather crashes into the glass coffee table. Next, Winona and Slater kill the two evil jocks and pose it as a murder-suicide because of their "secret passion for each other."
Their school then responds to the suicides by trying to teach the children that there is nothing wrong with speaking about their issues. This doesn't bode well with Winona. The people they kill are more popular dead than they are alive. But then it starts to get serious when a woman bullied for being fat tries to kill herself by walking into traffic and fails. Winona wants to stop, but there was something much more sinister happening. Slater teamed up with the brunette Heather and made a school-wide suicide pact unbeknownst to the entire school. Slater's father is an architect and amateur demolition expert so he sets up a couple charges under the bleachers and sets a bomb in the boiler room under the gym so that the school would blow up in an ironic sort way that the school would commit mass suicide in an anti-suicide rally.
Winona has had enough, so she swoops in and saves the day shooting Slater's finger off and shutting off the bomb. Then she steps out to breathe, and here comes Slater, bleeding out. He's strapped the bomb to himself and decides to blow himself up to atone for their sins. He blows up and dies, and Winona dethrones all the remaining Heathers and becomes the ruler of the whole school.
I initially thought they were going to kill all the Heathers, and they almost do it. The brunette Heather tried to OD on pain pills in the bathroom because she can't handle the pressure of being the leader and that her boyfriend "killed himself for being gay." The redhead was kind of nonexistent the rest of the movie. But I guess it's called Heathers because it all starts with the Heathers. These evil b*tches are tormenting their lives, and so when one of them suddenly dies it's sort of a wake-up call that even popular kids are depressed. Normally, someone would find out that they're just straight up murders, or maybe Winona even fess up. Everyone knows that Winona works for the Heathers forging letters. But this movie does something different. Everyone is oblivious to what is happening. It never comes to mind that maybe Winona is behind it. She's miserable with the Heathers, and suddenly she's cynical when one of them dies. This movie worked because the police weren't involved.
I wonder what would if this story was told today. It wouldn't happen, that's the point. Oh...wait.

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I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return next week with another movie. See you then.


Rotten Tomatoes Score: 94% Certified Fresh
IMDb Score: 7.3/10

Tuesday, October 22, 2019

"The Marvelous Mrs. Maisel" Seasons 1 & 2

Miriam "Midge" Maisel is a happy little Jewish wife who worshipped the ground her husband walked on. Her snappy attitude allowed her to get what she wants to please her man from getting the best lamb at the meat market to bribing the promoter at the Gaslight, with a brisket, to get a good time slot for her husband and his budding stand up routine. But then, the night before Yom Kippur, her husband left her and her two infant children for PENNY PAM! In anger, and because she was hammered, Midge wandered on stage at the Gaslight and delivered the funniest routine that ever occurred at the club. And we go from there.
Midge and her new agent, Susie Myerson, navigate the struggle of women in the entertainment field. They were often at odds with each other because Midge never really did anything with her life, and Susie was from the streets. In the end, they would battle their struggles together to climb the ladder of success.
But that is just one problem Midge faces. Her fallout with her husband puts her at war with her family as they wish for her to work it out, but with the rise in feminism and female independence, she won't back down easily. So now she also struggles with the choice of becoming a successful comedienne and leave her quiet life behind, or giving up her passion and return to her quiet life. That may sound dumb today because a lot of successful comediennes have children, so it doesn't seem like a big deal. But it is indeed a very big deal in this story. Women were the pretty girls who work the fragrance section at the department store, not cracking jokes about their once perfect life to the 1 a.m. crowd at some sh*tty club in the Village.
This show is being used as a tool for women in the entertainment industry of the era as well as of today. It will not the change the industry forever, but it's a good start. It's paving the way for other shows, like the Emmy winning Fleabag, to appear in our streaming services and our TV's and entertain us as well as giving birth to a new age of film and television where everyone is given an equal opportunity to be represented.
With Season three rapidly approaching, I can't wait to see what Midge and Susie are up to next and what Midge would do about her family.

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I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return on Friday with another movie. See you then.

Released On Prime Video:  March 17 - November 29, 2017 (Season 1); December 5, 2018 (Season 2)
Rating: TV-MA
Starring: Rachel Brosnahan, Alex Borstein, Michael Zegen, Marin Hinkle, Tony Shaloub, Kevin Pollack
Directors: Amy Sherman-Palladino, Daniel Palladino, Scott Ellis, Jamie Babbit
Rotten Tomatoes Score: 94% Certified Fresh (Season 1); 91% Certified Fresh  (Season 2)
IMDb Score: 8.6/10 (Average); 8.7/10 (Average)

Awards
Season 1
Golden Globe Awards

  • Best Television Series Musical or Comedy - Winner 
  • Best Actress Television Series Musical or Comedy Rachel Brosnahan - Winner 

Primetime Emmy Awards

  • Outstanding Comedy Series - Winner 
  • Outstanding Lead Actress in a Comedy Series Rachel Brosnahan - Winner 
  • Outstanding Supporting Actor in a Comedy Series Tony Shaloub - Nominated 
  • Outstanding Supporting Actress in a Comedy Series Alex Borstein - Winner 
  • Outstanding Directing for a Comedy Series Amy Sherman-Palladino - Winner 
  • Outstanding Writing for a Comedy Series Amy Sherman-Palladino - Winner 

Season 2
Golden Globe Awards

  • Best Television Series Musical or Comedy - Nominated 
  • Best Actress Television Series Musical or Comedy Rachel Brosnahan - Winner 
  • Best Supporting Actress Series, Miniseries, or Television Film Alex Borstein - Nominated 

Primetime Emmy Awards

  • Outstanding Comedy Series - Nominated 
  • Outstanding Actress in a Comedy Series Rachel Brosnahan - Nominated 
  • Outstanding Supporting Actress in a Comedy Series Alex Borstein - Winner 
  • Outstanding Supporting Actor in a Comedy Series Tony Shaloub - Winner 
  • Outstanding Supporting Actress in a Comedy Series Marin Hinkle - Nominated 
  • Outstanding Directing for a Comedy Series Amy Sherman-Palladino - Nominated 
  • Outstanding Directing for a Comedy Series Daniel Palladino - Nominated 

Videos
Saturday Night Live - The Raunchiest Miss Rita
Saturday Night Live - Oscar Host Auditions 

Friday, October 18, 2019

"Downton Abbey" (2019)

Nine years ago, the world was introduced to the Crawleys and their eccentric staff. Over the course of six seasons, we grew to laugh, cry, and love with them. Now, we return to the lavish estate, with our favorite aristocratic family, for one more outing...of royal sorts.
The film is carbon copy of a standard episode of the beloved television series filled with extensive plot lines and twists that will make an average Joe's head spin. And we all thought Mrs. Patmore had a lot on her plate.
I enjoyed how the film opened up with the post sequence as it was a callback to the very first episode, in which the Crawleys received the telegram that would set them on this journey in the first place. I only wished that they cut it down by a few seconds; it was obvious that the music was going to swell as the castle appeared over the hill, and it was like watching porn. You kept waiting for the money shot, but you've finished and you're tired by the time it actually arrived.
What would probably help boost viewership amongst non-Downton Abbey fans is that Professor McGonagall and Dolores Umbridge once again square off in this film as it once again threatens the security of Downton Abbey's future. At least by the end of the film Umbridge realizes she musn't tell lies.
Many of us, I'm sure, aren't quite over Cousin Matthew's death in season three. I'm not. Perhaps the writers knew this and kept Lady Mary's new husband, Lord Talbot,  out of the picture for as long as they could. In fact, many small details, in the latter half of the series, had slipped through cracks, so it took much of the film's runtime to piece it all back together. I forgot Daisy was betrothed, and I thought Mrs. Hughes retired with Carson. I also forgot Anna and Mr. Bates have a child now. There are some things, however, you can't forget: Mr. Mosley. It was probably brilliant to not advertise that Mosley would be involved. Seeing him in the film helped bring the humor out of such a serious story.
Another thing to remember is Tom Branson, once a chauffeur for the house, is an Irish republican, and it comes into play as the King's presence grew nearer. But seeing the change in character allowed us to see how much he's grown since his days as an angry servant. We even see him respark in an relationship that would benefit the family.
Thomas Barrow had probably the biggest character development ever seen, in the series, in this film. It is perhaps that being a film released in theaters, rather than on TV, gave it more liberty to explore his interests and background. We have known of Barrow's sexuality since the series premiere, so allowing it to mature the way it did in the film helped us to sympathize with him and be happy with him as he continues with his journey.
Okay, I lied. The biggest character development was in Lady Violet. Once a proud matriarch in the Crawley family, who followed traditions to the utmost degree, is now entrusting the Crawley name to Lady Mary, who doubted herself of her own involvement. Let's not forget that Violet teamed up with her frenemy, Cousin Isabelle, to defeat Umbridge, but allowing the family to move forward with Mary as the head instead of a male leader, is the biggest step she ever took. This whole story started with a telegram stating the heir to the Grantham title had died on the Titanic. Now Mary's the head of the household. You may ask, as non-Downton Abbey fans, why was this such a problem in the first place? Times have changed. And the Crawleys must change with it.
Fifteen years of Crawley history have been told over 52 episodes and a feature length film. It is a stunning farewell and a love letter to the television series that will forever be in our hearts. I'll admit that I didn't really want a film, but I'm glad I went and saw it. I'll be expecting it to be added to my collection alongside the boxset.

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I hope you liked this. Be sure to subscribe and leave a comment about what you thought or if you want to recommend a movie for me to review. Thank you for reading. I'll return Friday with another movie. See you then.

Released on: September 20, 2019
Rating: PG
Stars: Hugh Bonneville, Jim Carter, Michelle Dockery, Elizabeth McGovern, Maggie Smith, Imelda Staunton, Penelope Wilton
Director: Michael Engler
Rotten Tomatoes Score: 85% Certified Fresh
IMDb Score: 7.8/10

Videos
Saturday Night Live - Downton Abbey Trailer

Friday, October 11, 2019

"Ralph Breaks the Internet: Wreck-It Ralph 2"

I didn't think the first Wreck-It Ralph needed a sequel. I watched it at my cousin's house, who had it blasting in the background at her birthday party, and found it so funny that I bought it on the way home.
When the first trailer for the sequel came out, I knew it was an obvious cash grab, but it seemed harmless. It had the comedy and adventure that was so captivating in the first film, including the Moana homage where Ralph explodes the bunny.
Then I watched the movie. A simple premise stretched over two hours of blegghh! I watched this the same day I watched The Emoji Movie, which probably didn't help.
The worst part of it was they crammed the testing friendship subplot into it and made it just as long as the original plot. Never in the six years, they've been together, did they have an argument this bad? And they ended it with them parting ways while still friends. In the threequel, one of them needs to die. Or better yet, they both sacrifice themselves R&J style to end this franchise for good. Make it a short film to tack in front of Frozen II to make you really bummed about the terrible decision you made in going to the theater to watch Frozen II.
Speaking of Frozen, the princesses were wildly unnecessary. It initially was intended to loop Vanellope with the princesses, which according to the rules of the Disney Princess, she had to be the star of her own movie and be a box office success. Another known fact, Anna and Elsa are considered too successful to be Disney Princesses because they could sell their merchandise on their own. So, it became a product placement of T-Shirts your little princess will want.
Another unfunny part of this movie was that Felix and Calhoun, two forgotten characters, become instant parents with the Bratz from Sugar Rush and figuring out how to get them to behave. And it promotes the dad going to get a drink at the bar. This man, who made puppy dog eyes at Jane Lynch, decided to leave her alone with a dozen or so demons to chug root beer. Wouldn't she want some too?
The Moana homage also turned out to be a middle finger to those who wanted to see Ralph explode a bunny. You are so worn down by the movie that when it appears in the middle of the credits, you are angry because you're halfway to the lobby, or you're lucky to get to the lobby before it happens.
And the saddest thing is this was nominated for an Oscar.

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Released On: November 21, 2018
Rating: PG
Stars: John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson
Directors: Phil Johnston, Rich Moore
Rotten Tomatoes Score: 88% Certified Fresh
IMDb Score: 7.1/10

Awards
Golden Globes

  • Best Animated Feature Film - Nominated
Academy Awards


Videos
CinemaSins - Everything Wrong with Ralph Breaks the Internet

Friday, October 4, 2019

"Call Me By Your Name"


I’m kind of stuck in the middle with this one. Lady Bird star Timothée Chalamet stars as 17-year-old Elio living in Italy, in 1983. His father, a professor at a nearby college, hires Otto, a middle-aged author, to research lost artifacts in the nearby shore. From there, one of the most frustrating love stories ever begins to unfold.
The film plays it well in the beginning in how subtle Elio is in his interest in Otto. To be honest, the movie is more about sexual exploration. Elio also struggles in a relationship with a local girl trying to figure out who he is. When he admits to Otto his feelings, this is where the movie takes a weird left turn, I think. Otto acts all flattered but wanted to keep it on the down low. But then he starts to show interest in Elio, so you spend the rest of the movie wondering whether or not Otto is serious. They don’t call each other by their names until the final hour of the movie. In the end, Otto had to go home, so they spend one final week together, dancing, drinking, and having fun at the local bars. After Otto had gone home, Elio's father’s admits to him that he almost had a similar experience when he was Elio’s age, but he didn’t have the balls to act on it like Elio. This was shocking to Elio as well as us, the audience, as he spent the entire movie avoiding his affections to Otto in front of his father. We already knew his mother knows, and in fact, she encourages the relationship. Six months later, Elio gets a call from Otto who tells him he’s getting married. And the movie ends with Elio sulking by the fireplace while his parents prepare for dinner.
It was a beautiful story while it lasted. A story about sexuality, identity, relationships, and acceptance. The girl Elio dated wasn’t mad at him. His parents, subtle until the end, were very supportive. Gross as it sounds, the peach scene was the most boyish thing a boy can do. I’m not saying other boys have taken a peach out of the fridge (I definitely didn’t do this) and practiced on it, but the movie moves forward with exploring male sexuality.
But it was Otto that kind of did me in, no pun intended. He was a playboy, and he used Elio to have that one unforgettable summer that emotionally ruined a boy struggling to come into his own. When you listen in on the horrendous phone call, you feel sympathetic for Elio and just want to cry too. The romance felt extremely real and convincing. I was sort of rooting for them, especially when they separated and Otto calls Elio. But then Otto pulls this sh*t. I just want to punch him for leading Elio on like that. The hell, man?
I’m proud of the movie not calling attention to the message out loud like other movies are doing. It’s casual. There was a time when characters were casually gay, or casually black, and the movie just showed them as human as the other characters. I want to go back to that. I want to see Serendipity starring two guys finding each other in New York City at Christmas, or The Notebook starring two women growing old together. Not all this coming out business. Can we have stories where the romance just happens?




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Released On: November 24, 2017
Rating: R
Stars: Timothée Chalamet, Armie Hammer, Michael Stuhlberg, Amira Casar, Esther Garrel, Victoire Du Bois
Director: Luca Guadagnino
Rotten Tomatoes Score: 95% Certified Fresh
IMDb Score: 8.0/10

Awards
Academy Awards

  • Best Picture - Nominated
  • Best Actor Timothée Chalamet - Nominated
  • Best Adapted Screenplay James Ivory - Winner
  • Best Original Song Sufjan Stevens - Nominated

Golden Globes

  • Best Motion Picture Drama - Nominated
  • Best Actor Motion Picture Drama Timothée Chalamet - Nominated
  • Best Supporting Actor Motion Picture Armie Hammer - Nominated

Saturday, September 28, 2019

"Despicable Me 3"

I've hated this franchise for the nine f*cking years, but it's a trainwreck, and I can't stop watching. And to keep us watching they gave us twice the Carell. Fortunately, they didn't give us twice the Wiig with Miss Hattie still mysteriously floating around from the first movie.
This movie is basically The Parent Trap mixed with every coming of age movie where you don't realize your full potential until someone brings it up. Jeremy from CinemaSins brought this up first, but how did Gru not know his father was a villain when he was working in the AVL? The other thing is how did Gru know he wanted to be a villain in the first movie? We only saw a flashback montage of Julie Andrews dissing Gru's dreams of going to the moon. Nothing was mentioned that he wanted to be a villain. If you're going to make a villain movie about this dingus, give us some back story.
I really don't like Kristen Wiig's comedy at all, and it really drags the movie or TV show down with her every time. Her main mission was to be called mom from Margo, which I'm sure was recycled from the first movie when Gru was trying to earn Margo's trust.
Balthazar Bratt is probably the flimsiest villain any film could concoct, and I watched The Emoji Movie. He is angry that his show was canceled because he hit puberty. His pimples could have been easily been covered up. I spent four years in theatre. Also, Balthazar would have easily been recast. My brother watches PAW Patrol, and Ryder's voice changed three times. I understand Balthazar would be pissed that his show gets canceled. A lot of stars disappear when shows leave the air or when film franchises end. Kristen Stewart, Robert Pattinson, and Anna Kendrick are the only stars to come out of Twilight. The girl in the background in all the movies, she's the famous one out of the three. Everyone else just kind of vanished. But you don't see them yelling that they'll laser-cut Hollywood and float it out to sea. Eventually, they come back. However, at the same time, it is the most perfect villain stuck in nostalgia because it sheds a light on the people of today. We recall the glory days of the 80s. Michael Jackson, bubble gum, Olivia Newton-John exercise videos, the Brat Pack. Okay, that one will be lost on people who don't have parents from the 80s, especially since the term was used incorrectly.
This movie is a perfect message to us, the viewers, that we need to move on. I didn't even mention the minions, but the minions don't need mentioning. I'm over them. You should too.

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Released On: June 30, 2017
Rating: PG
Stars: Steve Carell, Steve Carell, Kristen Wiig, Trey Parker
Directors: Kyle Balda, Pierre Coffin, Eric Guillon
Rotten Tomatoes Score: 58%
IMDb Score: 6.3/10

Awards
Saturn Awards

  • Best Animated Film


Videos
CinemaSins - Everything Wrong With Despicable Me 3

Tuesday, September 24, 2019

"The Boys" Season 1

This series came out of nowhere. If I wasn't a subscriber of Screen Junkies, I probably wouldn't have watched this show. In fact, having the Epic Voice Guy narrate the trailer as an Honest Trailer may have been the best marketing tactic to promote this series. I don't see any other way it would have gained traction.
The series takes us into a territory we don't want to think about: what if our favorite superheroes want control of the world. With the Marvel Cinematic Universe not slowing down, the DC Extended Universe picking up speed, and other Superhero Cinematic Universes being greenlit, we don't really think about what happens when the capes and cowls are part of a global conglomerate. They're not just saving people daily, but starring in the film industry, putting professional athletes out to pasture, and are on a campaign to enter the armed forces. But little do they know that their biggest threat would be the people who once worshipped them.
Throughout the series, we see the revered Supes for who they really are, and they're sadder and more depressing than the people who look up to them. Queen Maeve is a woman without a lasso of truth who's lost her mojo. Black Noir is real even when he isn't useful. The Deep is basically Aquaman if he's on the sex offender registry. Translucent is one dead invisible sh*thead. A-Train is a Flashy junkie. And Homelander stands for truth, justice, and the American way...and weird-ass Oedipal complexes.
Then there is Starlight, the Seven's newest member. She becomes uncertain of her position when she realizes it's all basically a reality show, and everything is about approval ratings. It's like real life Hollywood. No one cares about the stressful lives of the stars, they must appear just as super as these fictional heroes.
The Seven's Ozzian curtain gets pulled back by the titular Boys, a group of vengeful mercenaries out to prove that they are a fraud. Hughie is a little wuss turned killer after his girlfriend gets plowed into by A-Train. Mother's Milk is a skeptical prison guard who is only concerned about his family's well-being, which isn't a bad thing but Monique was right to leave him. Frenchie is an assassin/chemist with a passion for romance in the littlest of things. And Butcher, a British C U N Thursday with a personal vendetta for Homelander. He says the "C" word a lot in this series. Together they uncover the blue drug of this end of the '10s: Compound V. It initially sounded like a hidden document that controlled the Supes' accidents. But it turns out to be a magical substance that turns normal people into the X-Men or Inhumans or whatever your favorite mutant group is. You know, if they want to take out the Supes, they should fight on the Supes' level by juicing up. That's probably why Kimiko is here. Kimiko is a former child soldier, the Boys rescued from an underground V ring, with immense animal strength and healing powers. She doesn't speak yet maybe she'll be useful in future seasons.
The sex in this is probably why Amazon doesn't promote Prime and Chill. The sex is terrifying and the innuendos are a little unsettling. One guy's head gets crushed in an ass-sitting, the Deep thought it was still okay with sexual harassment in 2019, and Homelander has a weird mother love thing with Madelyn Stillwell, the VP of Vought.
Throughout the series, I kept wondering if Homelander and Stillwell are a couple who were torn apart by Stillwell's baby, or if they were mother and son. They appear to be the same age, so the Oedipal thing is out.
Butcher gets a rude awakening in the season finale. His hatred for the Supes started when his wife was raped by Homelander, and she disappeared. He kidnapped Stillwell and strapped C4 blocks to her to use as bait to get Homelander. Then Homelander kills Stillwell herself. Thinking he was already a dead man, Butcher blows the C4. Then he wakes up in his wife's front yard. Rebecca and Homelander were one time lovers, and she blessed him with a son. Seeing similar stories, I'm sure Butcher still loves Becca. He is probably right now pissed that Becca lied to him, but deep down he'll do anything for her. We've already seen how aggressive Homelander can be, and with Stillwell gone, who knows how unstable he can be? Maybe Butcher could use this to his advantage by becoming Homelander Junior's guardian should Homelander kill Becca because she refused to comply. He could even kidnap HJ and hold him hostage to get back at Homelander.
I honestly think the episode, "Good for the Soul," was the best episode of the season, absolutely Emmy worthy. It plays with the thought of why God would choose a select few to have special abilities. Butcher's deadpan humor about God's decisions is so funny that you really can't be mad at him for pointing God's flaws. Hughie taking charge after his phone is destroyed in the baptism pool is a huge developing point not just for the character but for the series moving forward. He manages to scare Ezekiel even though he longer had the footage to threaten him with. Starlight's breaking of the script was another development point that shows that not all the Supes are perfect. Her part throughout the episode, you really see how she felt shaken up by how the Expo isn't what she was used to. Then she drops that she questions her faith and she isn't sure of what to do, especially since she also revealed that she was sexually harassed. Then episode takes it further to reveal that the Supes weren't chosen by God at all, but the Compound V is injected into infants. Now, that I think about it, if it's being administered to a select number of infants why isn't EVERYONE a Supe? The V was packaged as polio vaccines, and the polio vaccine is like one of the first things administered to infants. Is it a placebo lottery where the lucky ones get the V and everyone else gets the regular vaccine? Or are there two million followers of Jenny McCarthy who choose not to vaccinate their children, sparing them from getting abilities? Are there Super Squibs, like in Harry Potter: infants who are given the V but aren't affected by it?
One other thing I want to know: Is Billy Zane a real-life Supe? Is that why he's been distant? He makes a brief appearance at the Comic Con-like convention where Frenchie and Milk pick up Mesmer, but the Mesmer thing's not important. Billy Zane appears as himself. Is he a Supe? You can come out now, Billy, Titanic's now number three in the world. No one cares that you're in it.
Overall, I can't wait for season two. I'm excited for what's in store, and I have no doubt that the Boys will not disappoint.
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Released On: July 26, 2019
Rating: TV-MA
Stars: Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Dominique McElligott, Jessie T. Usher, Laz Alonso, Chance Crawford, Tomer Capron, Karen Fukuhara, Nathan Mitchell, Elisabeth Shue
Directors: Dan Trachtenberg, Matt Shakman, Phil Sgriccia, Fred Toye, Stefan Schwartz, Jennifer Phang, Dan Attias, Eric Kripke
Rotten Tomatoes Score: 82% Certified Fresh
IMDb Score: 8.9/10 (Average)

Friday, September 20, 2019

"Terms of Endearment"

I've been wanting to see this for a long time. No reason in particular, except for wanting to watch all the Best Picture Winners (I'm now sitting at 28 of 91 movies).
Shirley MacLaine and Debra Winger play a mother and daughter who play a game of telephone for thirty years talking about relationships and life decisions. Emma (Winger) marries a guy named Flap against her mother's wishes, and they move around and away from Houston to follow Flap's job of teaching. Over fifteen years and three children, Emma becomes frustrated with Flap coming home later and later. Eventually, she confronts Flap and Janice, the mistress, causing her to have a meltdown. She has her own affair with Sam, a banker who ironically turned her down on a second mortgage.
Aurora (MacLaine) also begins a courtship with Garrett, a retired astronaut who is also a bit of a party animal. As they progress, Aurora loosens up a bit and Garrett shapes up. It started off slow with lunch and drifting on the sand in a Corvette, then it turns into sleepovers at each other's houses.
Then Emma is diagnosed with cancer which brings everyone together to help Emma pull through. Aurora, often at odds with all of Emma's decisions, battles the nurses to give Emma the medication she needs. Flap discuss guardianship of the children, especially since he admits he wouldn't be as good at taking care of them. Garrett comes for moral support in the final hours.
This may have been a touching story 36 years ago, but it really doesn't hold up. The theme is all over the map. I don't know if they really love each other or they just acknowledge each other's existence. Aurora is always nagging her about Flap, about the kids, about living in general. But then they meet up and they're all hugging and kissing. It's like pick a lane.
If I hear another telephone ring in that movie, I will throw a phone into the TV. You could fill up five minutes of the telephones ringing alone. Write letters or something.
Jack Nicholson may be the best thing about this movie. He was charming and funny even when he was an asshole. You just couldn't help but fall in love with Jack.

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Released On: December 9, 1983
Rating: PG
Stars: Debra Winger, Shirley MacLaine, Jack Nicholson, John Lithgow, Danny DeVito, Jeff Daniels
Director: James L. Brooks
Rotten Tomatoes Score: 88% Certified Fresh
IMDb Score: 7.4/10

Awards
Academy Awards

  • Best Picture - Winner
  • Best Director James L. Brooks - Winner
  • Best Actress Debra Winger - Nominated
  • Best Actress Shirley MacLaine - Winner
  • Best Supporting Actor John Lithgow -  Nominated
  • Best Supporting Actor Jack Nicholson - Winner
  • Best Screenplay Based on Material from Another Medium James L. Brooks - Winner
  • Best Art Direction Polly Platt, Harold Michelson,  Tom Pedigo & Anthony Mondell - Nominated
  • Best Film Editing Richard Marks - Nominated
  • Original Score Michael Gore - Nominated
  • Best Sound James R. Alexander, Rick Kline, Donald O. Mitchell & Kevin O'Connell - Nominated

(Click here to view more awards for "Terms of Endearment.")

Friday, September 13, 2019

"The Emoji Movie"

Okay, this will probably be rather short because I'm not sure what else is there to say about this film. The only good thing about this film is the characters were accurately cast with the proper actors. However, the true actor was Sir Patrick Stewart, who acted like his career wasn't going down the toilet. Maybe that's why he brushed off his Picard suit.
Long story short, this movie happened, and we all agreed that it sucked. I'd like to thank Netflix for streaming this so I didn't have to spend money on this.

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Released On: July 28, 2017
Rating: PG
Stars: T. J. Miller, James Corden, Anna Faris, Maya Rudolph, Steven Wright, Jennifer Coolidge, Patrick Stewart
Director: Tony Leondis
Rotten Tomatoes Score: 7%
IMDb Score: 3.2/10

Awards
Golden Raspberry Awards
  • Worst Picture - Winner
  • Worst Director Tony Leondis - Winner
  • Worst Screen Combo Any Two Obnoxious Emojis - Winner
  • Worst Screenplay Tony Leondis, Eric Siegel & Mike White - Winner
  • The Razzie Nominee So Rotten You Loved It - Nominated


Videos
CinemaSins - Everything Wrong with The Emoji Movie
Screen Junkies - Honest Trailers - The Emoji Movie
Watch Mojo - Top 10 Reasons Why The Emoji Movie Is Hated

Friday, September 6, 2019

"Once Upon a Time in Hollywood"

Quentin Tarantino returns with his ninth outrageous film. It took until halfway through the movie where I saw the underlying genius of the film.
We were told that western TV star Rick Dalton and his stunt double Cliff Booth were to face the growing change in cinema in the 1960s, and that's what they did. After his show was canceled, they struggle to get back on top in the industry. I initially thought it would be the rise of indie films and anti-heroes. It eventually went that direction, but I forgot about the rise of Italian directors. Having that said, I saw that the film was made as an Italian western set in 1960s Los Angeles.
The biggest element Tarantino promised was that this movie would involve Charles Manson. We get that...sort of. We get an angry Bruce Dern character, named Charles, who lives with a group of young men and women on an abandoned film ranch. The only thing that connects this to the rest of the movie was that Cliff found Dakota Fanning hot, and he offered her a ride. When Dakota and two other people were sent to kill people, we aren't really clued in as to why they targeted Rick Dalton's house. They didn't even realize Cliff was involved until it was too late for them.
This film was a lot of fun, and it was unsurprisingly entertaining. The only thing preventing it from being heralded as great, in my opinion, is the sloppy editing. There are editing techniques throughout the movie that were hilarious in their own right, but when they are put together in a film like this, it looks like a video you would submit to an editing class. It shows that you can do all the cuts, but it also shows that you DID all the cuts. There was a moment when Dalton was chatting with the actor playing the hero in the movie. Their conversation was cut up in a series of jump cuts as a funny way to show that a simple hello can go on for hours. Then the technique was gone. Another thing that was out of place was the out-of-place narration by...I want to say Kurt Russell because that Bruce Lee flashback didn't have enough Kurt. Maybe they could have used that jump cut thing during the time Cliff and Rick were getting slobbering drunk at the restaurant. Also, the narration kind of killed the mood when it went on Dalton's resurgence in the film industry.
But that climax made it all worth it. It actually does something most films don't have the balls to do. Throughout the film, you see the insufferable friendship between Rick and Cliff and how they are both struggling. When their careers are in the sh*tter, you can see the contrast in how they are taking it. Rick isn't doing so well, and Cliff is just kind of rolling with it. Then when it came to a point where Rick could no longer afford Cliff, they were able to part as friends without so much as a hint of an argument. You know, that testing the friendship thing that every buddy movie has? Yeah, that's not in here. And despite being fired, Cliff still manages to defend Rick's home from those crazy Manson kids.
Then there was the flame thrower. The weapon was featured in a movie, that looks like an Inglorious Basterds remake, and Dalton incinerates a few Nazis. Then it returns when Dalton incinerates Dakota Fanning after she crashes into the pool trying to kill him. It is no secret that actors would take props from the sets of movies and TV shows once they are over. Johnny Depp bought his horse from Sleepy Hollow, and Neil Patrick Harris owns Barney's playbook from How I Met Your Mother. But I doubt anyone would allow Rick Dalton to take this massive weapon home. It also shows that the fact he owns a flame thrower really doesn't faze his next-door neighbor who invites him for drinks after the attack. "Oh, you own an unregistered weapon you used in a movie, and you just killed someone with it? Well, come on up."
Shannon Lee, the daughter of Bruce Lee, stated that she was uncomfortable that her father was portrayed as an "arrogant punching bag" during a scene where Bruce gets his ass handed to him by Cliff. I understand where she was coming from, but there should be an underlying rule that whenever Tarantino writes historical fiction, you must suspend your belief. I mean, he made Hitler gay, so it should be noted that Bruce probably wasn't a jackass in real life.
It is a brilliant work of art, and I'm glad that Tarantino got to tell it. I'll be very sad once his tenth and final film rolls into theaters in the coming years.

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Released On: July 25, 2019
Rating: R
Stars: Leonardo DiCaprio, Brad Pitt, Margot Robbie, Bruce Dern, Timothy Olyphant, Dakota Fanning, Al Pacino 
Director: Quentin Tarantino
Rotten Tomatoes Score: 85% Certified Fresh
IMDb Score: 8.2/10

Awards

Golden Globe Awards
  • Best Motion Picture Musical or Comedy - Winner
  • Best Actor Motion Picture Musical or Comedy Leonardo DiCaprio - Nominated
  • Best Supporting Actor Motion Picture Brad Pitt - Winner
  • Best Director Quentin Tarantino - Nominated
  • Best Screenplay Quentin Tarantino - Winner
Academy Awards
  • Best Picture - Nominated 
  • Best Actor Leonardo DiCaprio - Nominated 
  • Best Supporting Actor Brad Pitt - Winner
  • Best Director Quentin Tarantino - Nominated 
  • Best Original Screenplay Quentin Tarantino - Nominated 
  • Best Cinematography Robert Richardson - Nominated 
  • Best Costume Design Arianne Phillips - Nominated 
  • Best Production Design Barbara Ling & Nancy Haigh -Winner 
  • Best Sound Editing Wylie Stateman - Nominated 
  • Best Sound Mixing Michael Minkler, Christian P. Minkler, Mark Ulano - Nominated 
Videos

Friday, August 30, 2019

"Solo: A Star Wars Story"

I followed this movie throughout its rocky production, and I even feared that Ron Howard's touch would break off from the traditional B-rated sci-fi flick we love from the Star Wars franchise. Well, I don't have to worry about that because it sucked anyway. I thought that the trailer told a very different, and more fun, story than the actual movie.
The trailer opens up with Woody Harrelson saying he's got a job, and he's putting together a crew. That means Jabba is involved. The crew involved recruiting Lando and his iconic ship. But then we watch the movie and it's the generic separated/must get back together story. And what didn't really help was that they shoehorned everything we know about Han Solo into this thing, so there was no time to enjoy the movie.
L3-37 was probably the most disappointing character in the Star Wars universe. She went from an adventurous droid in the trailer to an advocate for droids that no one wanted. That's like having Yoda fight Count Dooku for a bit and then asking to talk about the plight of tiny aliens in the galaxy. 


I don't hate Alden's take on the scruffy nerf herder, but I feel he was too cocky like a blue flame special. And he basically accidentallies himself in and out of situations that gets him where he is today. I mean the dude happened to speak Wookie so he can be friends with Chewie.
And correct me if I'm wrong, but after seeing this movie, does that mean Han Solo single-handedly took out the Empire? Let's review the list of events that lead to the fall of the Empire. 

1. Gave 60 Million credits of refined coaxium to a band of thieves starting a rebellion 
2. Provided passage for a droid carrying the stolen Death Star plans
3. Rescued an important figurehead from said Death Star
4. Aided Luke Skywalker by taking out multiple bogies on his tail so Luke can fire the fatal shot on the Death Star 
5. When Luke went missing on Hoth, and no one else was willing to find him, he faced the dropping temperatures to find Luke still alive
6. When the Hoth rebel base fell to the Empire, he rescued an important figurehead AGAIN, even though his own ship was disabled 
7. When betrayed by his ally, he sacrificed himself to save the others by being put into carbon freeze
8. Despite suffering from hibernation sickness, he was able to aid in escaping Jabba the Hutt, including taking out the notorious Boba Fett and saving Lando Calrissian
9. Led a team to disable the shield generator that was protecting the Death Star II
10. Provided his precious, yet reliable, ship to the team in charge of taking down Death Star II 

This had so many twists and turns that it wasn't enjoyable. You know Han was going to betray Woody Harrelson, and I was kind of hoping Q'ira was going to die to we can tie off that loose and get Han together with Leia. But, noooo, she's a pawn in Darth Maul's master plan. I loved Darth Maul as much as the next guy, but I watched him get b*tch killed by a younger, more inexperienced Jedi. He didn't deserve to come back. Granted, I was a child when he died, and I didn't know any better, but I stand by that statement. Any reason to bring him back is a big middle finger to those who moved on, and I'll give one right back.
Lando and Han's relationship never took off, no matter much you spin it from a certain point of view. Now, their meeting on Bespin will forever be the "Hey, remember the time I cheated at cards and won your ship?" scene instead of the "Your ship? Hey, I won her fair and square" scene.
Oh, and the biggest letdown of the whole damn thing is the Kessel Run. For years, I thought it was a passage everyone knew. A small cluster of asteroids that hover near the planet Kessel and Han maneuvered the route in less than 12 parsecs, a thing of legend. Instead, it was a race against time to get from Kessel to that one place I forget now because I don't care. So no, Ben Kenobi would not have heard of the Millenium Falcon, the ship that made the Kessel Run in less than 12 parsecs, especially if you're the only one bragging about it.
Should the sequel get greenlit, fingers crossed that it doesn't, maybe the writers should think about how Han turns into the scruffy nerf herder we know and love.

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If you liked Movie Thoughts, check out my other blog, Before I Go See It, where I give upcoming movies the same treatment based on their trailers.

Released On: May 25, 2018
Rating: PG-13
Stars: Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Paul Bettany
Director: Ron Howard
Rotten Tomatoes Score: 70%
IMDb Score: 7.0/10

Awards
Academy Awards
  • Best Visual Effects Rob Bredow, Patrick Tubach, Neal Scanlan, and Dominic Tuohy - Nominated

Videos